Perhaps the Wisdom of God is symbolized by the lofty hawk or eagle because from the Almighty's perspective, all connections between incidents are perceived. All potential pasts and futures are observable from these great heights. It may truly be said of this Knowledge that man is not fit to wield it of his own accord. For man as we tend to understand him knoweth himself not, nor his neighbor, and his nature is such that he is oblivious and impervious to all connections between things and events, being too concerned with his own miniature world and its experiences. Man is all too often full of weakness and ignorance as to be able to successfully harness such a great Knowledge toward any end other than base self-gratification, and it would be most unwise for him to manipulate it simply for such reasons. And yet, he must use it in a way that is responsibly in tune with himself as he is intended to be, and therefore one can easily suggest that the use of Knowledge must be inherently geared toward self-preservation, for lack of a better word. By "self-preservation," I really mean to say, "the process by which an individual maintains their own purity." For man "liveth not on bread alone," but also by the spirit, who is entirely pure in substance and nature. But to return to my original point, such Knowledge is not wholly banned from man's grasp (as any mystic will tell you) for the axis upon which this Knowledge of all things revolves is the Self. To know oneself is to know one's past, present, and future. It is to hold the keys to all possible realities, and to possess the foresight and prudence to know which ones are not possible. For our relationship with the Universe is represented best by the nail, the letter Vav, the Son of the Holy Name, Tetragrammaton. We are undeniably pinned to the events that occur around us; that which transpires within exhales into the without, and whatever we are exposed to without we inhale inwards. Thus, there is a constant flow of influence in the shape of the lemniscate, or symbol for infinity. "Change is stability." God is expressed by but also beyond both these concepts, for neither heaven nor earth may contain him. He is not solely in the world around us and he is not solely within the human spirit. His Representative may be found and the junction-point between the two, and this is Adonai, the Holy Reconciler and Judge who perceives one's life as it truly is. But this is simply the most pure representation of God that we may know in the flesh. The purest idea of God exists beyond even this, beyond all ideas of here or there, or I and they, in a state in which neither of these polarities exist. God in this condition simply must be the great I AM WHO AM, Eheieh, Kether the Crown of the Qabbalists, and this is the true idea of paradise, the Kingdom of God. He is as a child who is conqueror of all things, or as a seed that has been scattered everywhere and nowhere at once. It is impossible to attempt to say anything about him, for any said thing about him is a blasphemy against his holiness, and therefore to men his Wisdom seems as folly.
I say all this because of two concerns. The first is that the Tarot, being a representation of both God's Wisdom and Understanding, can show us, after meditation and appeal for aid from the Angel, these lofty perspectives. Therefore, the Tarot can be a dreadfully potent tool, one to be greatly respected by all men, however blessed, who know not necessarily how best to use the wisdom it imparts (except through the council of their Guardian Angels, but this is an experience achieved by relatively few of our race, or at least it would seem given the current state of affairs). Therefore it is imperative that we seek to redeem this Art from the piteous state it is often cast into - often being called "fortune-telling" and the like - for in this Art lies Hope. Hope is perhaps the most characteristically human virtue, the belief that out of utter despair and desolation something may be done by our bold hands to remedy things and strive forward to a different tomorrow. Perhaps not even a tomorrow that will immediately shine brighter but perhaps at least a tomorrow that will lead to further tomorrows that shine progressively brighter with optimism. No other being on God's great earth carries hope in its heart and relies upon it so heavily for its own survival. It is therefore safe to suggest that Hope is truly Power, which is truly in turn Wisdom, and therefore Hope is a force that elevates us to God's own place in the Universe. For if God can create a world out of blackest nothing, then surely we, being made in his likeness and who have tremendous power to change the future, can also build out of bleakest horror something of worth, something worth protecting and believing in, simply because we have Hope - the desire to make change. Simply because we believe somewhere in our hearts that the seemingly impossible just might be possible, even if for a moment. And so this is my second, more pertinent concern that has weighed heavily on my mind and the minds of many others this week, I am sure. That in the face of oppressive tragedy we must cling to hope firmer than ever, and we must choose to believe that out of this aching trauma something good can come. For if we give in to the darkness and see it simply as misfortune there will no longer be any light to cast it away. It is our moral responsibility to preach the light, and defend it, and love it, and hold true to it despite the raging darkness because believing in the light is what makes us human. It's what gives us empathy, and courage, and creativity, and it being an emanation from God Himself, it urges us to fight for the betterment of the world for all peoples by turning chaos into order, darkness into light, and despair into Hope.
Therefore, my brothers and sisters, take hope that even though all may seem lost in a void of meaningless violence, some good may arise from these wastes, though it may not yet nor ever be seen by eye or heard by ear. The Spirit moves in many ways, and we must believe in It and ourselves enough to stand for what we know is true and just in these sad moments.
"They that sow in tears shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come home again with rejoicing, bringing his sheaves with him."
Psalm 126
Wednesday, December 19, 2012
Sunday, December 2, 2012
On Advent
Yea, He is the Savior, Yeheshua, Christ the Lord, thy Holy Guardian Angel, thy Confessor, and thy Beloved.
Therefore, beloved, pray through this Advent season that you may be a suitable vessel for the Lord your God. Make in your heart room for Him, for without Him you are truly lost and despairing. There is only one hope, and that is in Him - I do swear this to you in love and confidence. Reflect upon yourself and your disobedience toward Him, for disobedience is the root of all sin. Pray for the fear of the Lord to fall upon you so that you may come to tread His path with conviction and sincerity. Fear not the petty dictates of man, but listen to words of Him, who is the Father's beautiful and wise Son, who shall instruct you in the paths that are right and who will guide you away from the paths that are wicked. And though in God's great justice these are different for all, He does perform these deeds for all people, and for that we do bless His holy Name, forever and ever, Amen. There is no greater love than this, my brothers and sisters, and so offer Him your greatest thanksgiving. There is no greater joy, no greater bliss than to offer praise and thanksgiving unto the Lord your Creator, He who hath fashioned Heaven and Earth out of nought, and He who calls out your name in gladness so that you might be saved from the wickedness of your ways. For he who believes he is without sin is a liar. Amen. These things of old have been written for they are the truth and the truth is undying. Give not the tongue of reason your ear so that it may not pollute your interior understanding and illumination. For the Lord in His mercy speaks to you at all times but you have not the ears or the hearts to hear Him because you are too distracted by Because, which is nothing other than the knowledge that is most convenient at that time to know. Because and its twin Reason are not of the Truth because they are transient. They do pass away with the procession of time, but there is the Truth that remains forever. Know instead that there is reason and reason, just as there is love and love. The one is perceptive and adaptable, the other is rigid and blind.
Therefore, take heed and repent. Reflect. Meditate. Call upon Him who is your Savior - His name is known only to your innermost heart, and it is a name you will thirst for, a name you will say in fervor and adoration and utmost praise. His name shall be the most beautiful word you will ever know because it is the name of your God, and nothing will be more true or right to you that it. Beloved, there is nothing I can say or do to make you believe, and this is my greatest sadness. I can only point you in this path and swear to you with all my soul that these words are most true and important. There is no cure for all this endless grief until the World is wrapped up in love and understanding of its Creator. All other sadnesses are comparatively small and brief for this sadness is as old as Creation itself, and shall last until its End, and it is so for all people. But take great hope, for there is plentiful Redemption, and there is plentiful love and joy available for all. Know and trust that we all do have a God who works for and through us because His love and zeal is so immense that no barrier, not even space or time, can ever separate these forces from us and our lives.
Celebrate this Advent season with humility, penance, and love. Always act with love, for all acts are irrelevant if they are without love.
Saturday, October 13, 2012
Sol and Luna: Astrology and Psychology
First of all we have to remember that Sol and Luna constitute broad categories. Sol is of course the masculine element and Luna is the counterbalancing feminine. The idea is that these two forces or personas must be wedded together into one overall Entity. I capitalize "entity" because truly that is a state of perfection and attainment, which is godliness. God in Genesis is referred to as Elohim, which in Hebrew has both masculine and feminine connotations. God is not simply one or the other - he is both in perfect union. When Elohim creates man in his own image Adam comes first because God, being the active creative force in the universe, can be predominantly understood and conceptualized as masculine. Eve is second but being made of the same flesh as Adam should be understood to be his equal - at least in the original marital configuration. (It isn't until Eve sins that God declares her to be subservient to Adam.) It is through their marriage, however, that Adam and Eve are made into "one flesh," and are thereby made more perfect "as [their] Father in Heaven is perfect." This is a reference to one of Jesus's more vague commands since the definition of perfection is so ineffable and tenuous, but it certainly is necessary advice. Man is imperfect until he is made unified with his complement. Love being the only force that is capable of uniting the divided, it can be said that perfection is only attainable through the heat of love.
What I mean by "broad categories" is that Sol and Luna represent different things for different people. For the evidence of this we must turn to astrology. Everyone has a sun sign and a moon sign and these represent separate aspects of one's personality. In my case the sun was in Scorpio and the moon was in Leo at the time of my birth. Both of these accurately describe my overall personality. In my experience the moon sign is a weaker, less stable because more fluctuating, personality, and it is more subject to the themes and archetypes represented by the sun sign. The sun sign, however, is consistent though not without its own vices and issues. So everyone's case is different. Even two people who have the same signs in the same configuration will obviously not be the same person by virtue of their different experience, nor will their personal methods of development and growth be the same. Their True Wills are inherently different and must be so, otherwise they would be the same being - a clear fallacy. Put simply, the way a sign expresses itself in the nature of an individual is unique to that individual if only by virtue of the individual's indivisibility and universal centrality ("Every man and every woman is a star.")
In my experience, the worst elements of my sun sign - vengefulness, grudge holding, licentiousness, obsession, and depression - have always been more prominent and out of control in my life when my moon sign has equally been unsupported or misunderstood - in my case at times when I've felt unappreciated, unconfident, weak, too introverted, etc. It wasn't until I discovered more about my moon sign personality (particularly through the help of tarot and meditation, invoking of the HGA) and learned to ground this personality that the less useful and negative aspects of my sun sign started to also evaporate. (This is not to suggest that I've become perfect, by any means.) Sources of lifelong sadness and angst have started to melt away because of the growing strength of my lunar foundation. It's no coincidence that on the Tree of Life Luna is associated with Yesod, which translates to "foundation" in Hebrew. The path of Samekh (XIV Art, Sagittarius, the Arrow) that connects Luna in Yesod to Sol in Tiphareth on the Tree is associated with the Hermetic Marriage, and represents Nature, or Creation, as the union of opposites. We must exalt our personal psychological Eve so that we can also redeem Adam.
It's very much a process, of course - a long and natural one. And balance and moderation are crucial aspects of it. Crowley's commentary on XIV Art are revealing and perceptive into this metaphysical/psychological/natural process of self evolution. The basis for it is understanding of one's nature, particularly those parts of our nature which happen without our consent. There are many aspects of our behavior that simply happen with our without or conscious choosing of them. Represented by the moon in her "lower aspect," in other words in Yesod, it is important to wade through the sometimes nonsensical, phantasmagoric muck of the subconscious. I think the ultimate goal is to use the power of will or consciousness to wed the best aspects of Luna with the best aspects of Sol. "Love is the Law, Love under Will." The Marriage of Self must be a choice. Perhaps it can be suggested that this is one of the most divinely inspired or godlike decisions we can make regarding our own lives, as it was God's will that Self should be divided in the first place, and it is God's will that Self should be reunited and thereby redeemed. To imitate the divine will is to assume the identity of the Divine itself and to essentially become its equivalent. This represents an even higher spiritual marriage, that which exists between the Eternal Self, which is God, and the Temporal Self, which is the incarnated man in living in the body. Thus the highest is reconciled with the lowest and the road to Paradise is made clear.
The importance of this reconciliation is made clear by the traditional medieval text, "Virga Jesse," taken from Isaiah which reads:
Virga Jesse floruit:
Virgo Deum et hominem genuit:
pacem Deus reddidit,
In se reconcilians ima summis.
Alleluia.
The rod of Jesse hath blossomed:
A Virgin hath brought forth God and man:
God hath restored peace,
Reconciling in Himself the lowest with the highest.
Alleluia.
The Virgin is the equivalent of Malkuth, the Kingdom, Malkah the Bride. But the key phrase here is, "God hath restored peace, reconciling in Himself the lowest with the highest." In other words, through the Virgin's acceptance of the Divine Will (which in this case is reconciliation and unification) within herself (both through her statements, "As you say, let it be done to me," and, "Behold, I am the Handmaiden of the Lord," and through her literal physical acceptance of the Word/Will in her womb) the mystery of the Incarnation has been made possible, and it is through Christ's Incarnation that God has united the Divine and Human natures and has thereby established harmony - the basis of Creation and Redemption. The chaos of sin brought about by self ignorance and unwillingness to understand oneself is brought into check, allowing the individual the freedom to grow in the direction they were meant to grow in from the Beginning. This explains the attribution of XIV Art to Sagittarius, the sign of freedom and exploration, spirituality and philosophy. Perhaps it is no surprise that Sagittarius himself is both half man and half beast. It is certainly no surprise that his sign is the arrow, which is a glyph of the will, which is to say "love."
Not the best interpretation of this piece, but you get the idea.
"Virga Jesse" by Anton Bruckner
Sunday, September 23, 2012
Pergolesi's "Fac ut ardeat" and XI Lust
Unfortunately one of my least discussed topics on here is music. That's possibly because I do so much music in life that it's nice to have a space to write stuff in that doesn't necessarily have to do with it. But today I'm going to just direct you on the path of some really amazing stuff I've just found that I think really speaks to arcanum XI Lust.
Admittedly that's sort of an awkward picture to have frozen, but ignore that and listen to at least some of it. This is a performance of Pergolesi's Stabat Mater, a lovely Italian Baroque setting of a famous Marian devotional prayer, as performed by Les Talens Lyriques, soprano Sabina Puertolas, and mezzo-soprano Vivica Genaux. The whole thing is really quite amazing, but particularly great is about 18:26 minutes in when the "Fac ut ardeat" starts.
The Stabat Mater, by the way, is an old Marian devotional prayer that's actually quite a long poem. It describes various aspects of the Passion from the perspective of the Virgin Mother, and petitions the Virgin to allow the supplicant to feel the same sorrow as she did in her beholding of the Passion. The Virgin's grief is an expression of her ardent love for her Son, and so in asking for grief the supplicant is really asking for greater love of Christ.
The full text of the "Fac ut ardeat" is brief, just a stanza of the whole poem.
Which means essentially, "Make my heart to burn in the love of Christ the Lord as you did." As you'll notice, Pergolesi's setting of this portion is incredibly feisty, contrapuntally intricate, and rhythmically unrelenting. He certainly captures the sense of burning and fire here, as well as the passionate sense of urgency in that feeling of crushing sorrow born out of ecstatic love. The competitive ascent up the scale by the overreaching of one voice over the other also conveys not only virtuosity but that sense of ecstatic, practically orgasmic love. I would argue that the chromatic descents down the scale near the end of the movement also represent death (as descending chromatic 4ths usually did in the Baroque era), and the in the Renaissance Italian poets began using death as a metaphor for orgasm. There are many Italian poems from the 16th and 17th centuries that say something to the effect of, "O, that I would die 1,000 times a day, etc." So the placement of descending chromatic 4ths here really is quite significant. This is a passionate representation of divine love as experienced through sexual energy and release.
This movement for me is entirely about Arcanum XI Lust. Lust isn't just passion or desire, it's about the kind of ecstatic, transcendent love one can experience for Divinity. Those moments are sort of indescribable. It usually feels like my heart is radiating warmth and joy mixed with reverence. Sometimes I feel transported somewhere else, sometimes I can't stop smiling, it's always beautiful no matter what. And it's that energy that can be channeled in various ways in a magickal sense. When harnessed in the proper way that same sexual love for God can be used for prayer and ritual.
All that being said, I thought this piece captured XI Lust for me. Maybe you agree? Let me know!
Admittedly that's sort of an awkward picture to have frozen, but ignore that and listen to at least some of it. This is a performance of Pergolesi's Stabat Mater, a lovely Italian Baroque setting of a famous Marian devotional prayer, as performed by Les Talens Lyriques, soprano Sabina Puertolas, and mezzo-soprano Vivica Genaux. The whole thing is really quite amazing, but particularly great is about 18:26 minutes in when the "Fac ut ardeat" starts.
The Stabat Mater, by the way, is an old Marian devotional prayer that's actually quite a long poem. It describes various aspects of the Passion from the perspective of the Virgin Mother, and petitions the Virgin to allow the supplicant to feel the same sorrow as she did in her beholding of the Passion. The Virgin's grief is an expression of her ardent love for her Son, and so in asking for grief the supplicant is really asking for greater love of Christ.
The full text of the "Fac ut ardeat" is brief, just a stanza of the whole poem.
Fac, ut ardeat cor meum
in amando Christum Deum
ut sibi complaceam.
Which means essentially, "Make my heart to burn in the love of Christ the Lord as you did." As you'll notice, Pergolesi's setting of this portion is incredibly feisty, contrapuntally intricate, and rhythmically unrelenting. He certainly captures the sense of burning and fire here, as well as the passionate sense of urgency in that feeling of crushing sorrow born out of ecstatic love. The competitive ascent up the scale by the overreaching of one voice over the other also conveys not only virtuosity but that sense of ecstatic, practically orgasmic love. I would argue that the chromatic descents down the scale near the end of the movement also represent death (as descending chromatic 4ths usually did in the Baroque era), and the in the Renaissance Italian poets began using death as a metaphor for orgasm. There are many Italian poems from the 16th and 17th centuries that say something to the effect of, "O, that I would die 1,000 times a day, etc." So the placement of descending chromatic 4ths here really is quite significant. This is a passionate representation of divine love as experienced through sexual energy and release.
This movement for me is entirely about Arcanum XI Lust. Lust isn't just passion or desire, it's about the kind of ecstatic, transcendent love one can experience for Divinity. Those moments are sort of indescribable. It usually feels like my heart is radiating warmth and joy mixed with reverence. Sometimes I feel transported somewhere else, sometimes I can't stop smiling, it's always beautiful no matter what. And it's that energy that can be channeled in various ways in a magickal sense. When harnessed in the proper way that same sexual love for God can be used for prayer and ritual.
All that being said, I thought this piece captured XI Lust for me. Maybe you agree? Let me know!
Saturday, August 18, 2012
Relearning Jesus
What I am about to say will sound entirely illogical, but one of the best things Christians can do for themselves and for others is to start over again and relearn Jesus. It stands to reason that modern experience and knowledge has greatly toppled over traditional facts about religion and morality that were always assumed to be truisms. It no longer makes sense to say that God is partial only to one particular race of people; most concepts of "sinfulness" seem unnecessary or silly by modern standards; and the historical evidence of an authentic human Jesus is scant. If anything, the primary evidence of Jesus's very existence, the Bible, is riddled with allusions to and borrowings from many other religions and practices that hail from the ancient Mediterranean. To say Christianity is unique is downright preposterous given what we know about these historical ties to previous rituals, myths, and philosophies.
Knowing this, the modern Christian has to finally rid themselves of blind, ignorant faith and accept the fact that almost 2,000 years of Christian apologetics is practically defunct in the present era. Reading material like Thomas Aquinas's mind boggling Summa Theologica no longer convinces us of God's existence with the same force it did for medieval thinkers. In a culture where we demand physical evidence of all things there is no overwhelming proof even for the existence of God's very Incarnation - something that should have left a very real physical imprint on the archaeological record.
It becomes clear that all may not be what it seems regarding the mythology of Christianity. In order to remain sensible beings we must at least quietly entertain the possibility that Christ never existed in the first place, which seemingly throws the entire religion into chaos and sets it on a path toward destruction. But this is not necessarily true.
In my personal approach to faith, I have tried to remain connected to its historical source. I have always wanted to know how early and medieval Christians experienced our shared religion. There is so much one can learn from the texts and documents from these periods, and I consider it a tremendous tragedy that many moderns neglect this aspect of Christianity's rich narrative, yet they still claim to know much about their religion. But the most crucial aspect of what I've learned from this kind of study is that allegory is everything. The traditional historical Christian mystic has no patience for the things of the temporal or material. For them everything in the Bible is primarily transcendental, and things that occur in the physical domain are simply illusive reflections of an allegorical reality original conceived in the spiritual realm. In other words, the events of every day life conceal messages and influences from various other powers. The same is true of all narratives and parables, and we know that Jesus speaks primarily in parables throughout the Bible.
The truth is, the narrative of Jesus's life does not have to have literally happened in order to be deeply relevant in the real world. Truly the Bible is considered to be the direct Word of God, and this has particular connotations. We can recall from the Gospel of St. John that, "In the beginning was the Word, and the Word was with God. And the Word was God." John is referring to Christ, as the Christ is understood to be the Living Word, or the Word Made Flesh. Philo the Jew (20 B.C. - 50 A.D.), one of the most influential Neo-Platonic philosophers of the entire period of Antiquity and perhaps the originator of the whole "Logos" concept in the first place, explained that the Logos or Word of God was the person through whom God crafted the Universe. Since God cannot directly come into contact with matter (as in the Platonic approach matter is strictly evil due to its density), He requires an intermediary in order to shape and affect it as according to His Will. (Of course, Word and Will are inextricably synonymous.) The Logos is therefore equivalent to God's "blueprint" for Creation, a kind of ideal design for the world as it should be. Matter being weak, heavy, and mutable is unable to sustain this level of perfection and therefore it allows for evil to exist. In other words, to patch these two points together, Christ has existed since the beginning of time prior to the creation of matter and is also the equivalent to the Bible itself. In this light, then, the Bible represents the "blueprint" for the ideal universe, not necessarily the real universe.
Therefore to say that the Bible depicts literal events as they occur in matter, in extension through space and time, is to miss the point. Theoretically the narrative of the Bible occurs simultaneously, not in extension. We can benefit from conceptualizing the timeline of Jesus's life as conflated with the timeline of the Jewish people as told in the Old Testament. And even more specific events within the two timelines can occur simultaneously, or be understood to be directly connected. The Annunciation takes place at the same time as the Visitation, the Presentation, and the Assumption. The Nativity of Christ occurs simultaneously with His Passion and Resurrection. The Exile of the Jewish people is in synch with the slaying of Goliath, etc.
Obviously this opens a difficult Pandora's Box, if you will. The Bible no longer seems to make sense. And yet, we must at least attempt to see how this is possible if only by recognizing that God is eternally present. God is an never-ending NOW, an eternal circle of all possible pasts, presents, and futures condensed into one pure Moment. To us, the Moment appears to happen in a linear or even cyclical fashion. The events of Christ's life are commemorated throughout the solar year; in doing so we achieve linear comprehension of the narrative as well as cyclical as the years endlessly repeat themselves. But in the eye of God all these events relate to one eternal present that never changes or fades, one that constitues what is supposedly God's ideal "blueprint" for the world.
As if this weren't confusing enough, what do we do when we remember that Christianity teaches us that Christ lives in each of us? That Christ is the literal center of our unique and individual lives, and that therefore we are all unified in some subtle and unexplainable way? This is to say that each individual contains at the center of their lives the same narrative structure as the entire contents of the Bible as told from the Creation of the World in Genesis to its Destruction by Fire in Apocalypse. But we all know instinctively that we don't all lead the exact same lives - the specific contexts of our individual lives pan out differently for each of us. And yet it is undeniably an aspect of Christian teaching that Christ, the Omniscient Logos, resides in each of our hearts. This is to say that over the course of one's life one experiences the same story as that told in the Life of Christ, since He, the universal blueprint, constitutes the center around which each of our lives revolves. The exact details of the way in which this story unfolds for each of us is different. The narrative is the same. This is only possible because the narrative itself does not actually occur within the confines of space and time. The narrative of Jesus Christ is an ideal allegorical representation of what it is to be human, to have the spirit wedded to the tabernacle of the body, for whom the spirit seems to suffer and undergo death out of love.
This further suggests that the Logos is not only the means by which a transcendant God manipulates the universe from afar, but is the tool or hand by which God directly interacts and lives in the world. Through the dense material of the body God's narrative plays out in space and time in an endless circle in as many different forms as He sees fit. No matter what corruption ever befalls the Son through death the original Godhead remains pure and unadulterated. The Source of Life is never tainted no matter what grossness may affect Him through interaction with matter. Knowing this we can affirm that in Christ we are One Body and One Blood; that we are all spotless at heart, and no torment may ever change or affect who we really are; and that God so loved the world that he sent His only Begotten One to redeem it from darkness. Matter in and of itself is useless. It is only through invigoration through the spirit of life that it becomes something of value. But the selfless contribution of Life to matter in order to endow that matter with Consciousness inevitably condemns that Life energy to die and seemingly change. But after the Passion Christ rises again and remains untainted. In dying Christ opens the gates of paradise; in opting for death the spirit blows open the doors of the earthly hell and brings down the fires of the ideal paradise. In Christ we know there is no east nor west, and in Christ we may therefore also say that Heaven and Hell are allowed to coexist to some extent. In Him and through His Death the great possibilities of the ideal world as represented by the Logos are allowed to be brought forth into the darkness of the material world.
Knowing this, the modern Christian has to finally rid themselves of blind, ignorant faith and accept the fact that almost 2,000 years of Christian apologetics is practically defunct in the present era. Reading material like Thomas Aquinas's mind boggling Summa Theologica no longer convinces us of God's existence with the same force it did for medieval thinkers. In a culture where we demand physical evidence of all things there is no overwhelming proof even for the existence of God's very Incarnation - something that should have left a very real physical imprint on the archaeological record.
It becomes clear that all may not be what it seems regarding the mythology of Christianity. In order to remain sensible beings we must at least quietly entertain the possibility that Christ never existed in the first place, which seemingly throws the entire religion into chaos and sets it on a path toward destruction. But this is not necessarily true.
In my personal approach to faith, I have tried to remain connected to its historical source. I have always wanted to know how early and medieval Christians experienced our shared religion. There is so much one can learn from the texts and documents from these periods, and I consider it a tremendous tragedy that many moderns neglect this aspect of Christianity's rich narrative, yet they still claim to know much about their religion. But the most crucial aspect of what I've learned from this kind of study is that allegory is everything. The traditional historical Christian mystic has no patience for the things of the temporal or material. For them everything in the Bible is primarily transcendental, and things that occur in the physical domain are simply illusive reflections of an allegorical reality original conceived in the spiritual realm. In other words, the events of every day life conceal messages and influences from various other powers. The same is true of all narratives and parables, and we know that Jesus speaks primarily in parables throughout the Bible.
The truth is, the narrative of Jesus's life does not have to have literally happened in order to be deeply relevant in the real world. Truly the Bible is considered to be the direct Word of God, and this has particular connotations. We can recall from the Gospel of St. John that, "In the beginning was the Word, and the Word was with God. And the Word was God." John is referring to Christ, as the Christ is understood to be the Living Word, or the Word Made Flesh. Philo the Jew (20 B.C. - 50 A.D.), one of the most influential Neo-Platonic philosophers of the entire period of Antiquity and perhaps the originator of the whole "Logos" concept in the first place, explained that the Logos or Word of God was the person through whom God crafted the Universe. Since God cannot directly come into contact with matter (as in the Platonic approach matter is strictly evil due to its density), He requires an intermediary in order to shape and affect it as according to His Will. (Of course, Word and Will are inextricably synonymous.) The Logos is therefore equivalent to God's "blueprint" for Creation, a kind of ideal design for the world as it should be. Matter being weak, heavy, and mutable is unable to sustain this level of perfection and therefore it allows for evil to exist. In other words, to patch these two points together, Christ has existed since the beginning of time prior to the creation of matter and is also the equivalent to the Bible itself. In this light, then, the Bible represents the "blueprint" for the ideal universe, not necessarily the real universe.
Therefore to say that the Bible depicts literal events as they occur in matter, in extension through space and time, is to miss the point. Theoretically the narrative of the Bible occurs simultaneously, not in extension. We can benefit from conceptualizing the timeline of Jesus's life as conflated with the timeline of the Jewish people as told in the Old Testament. And even more specific events within the two timelines can occur simultaneously, or be understood to be directly connected. The Annunciation takes place at the same time as the Visitation, the Presentation, and the Assumption. The Nativity of Christ occurs simultaneously with His Passion and Resurrection. The Exile of the Jewish people is in synch with the slaying of Goliath, etc.
Obviously this opens a difficult Pandora's Box, if you will. The Bible no longer seems to make sense. And yet, we must at least attempt to see how this is possible if only by recognizing that God is eternally present. God is an never-ending NOW, an eternal circle of all possible pasts, presents, and futures condensed into one pure Moment. To us, the Moment appears to happen in a linear or even cyclical fashion. The events of Christ's life are commemorated throughout the solar year; in doing so we achieve linear comprehension of the narrative as well as cyclical as the years endlessly repeat themselves. But in the eye of God all these events relate to one eternal present that never changes or fades, one that constitues what is supposedly God's ideal "blueprint" for the world.
As if this weren't confusing enough, what do we do when we remember that Christianity teaches us that Christ lives in each of us? That Christ is the literal center of our unique and individual lives, and that therefore we are all unified in some subtle and unexplainable way? This is to say that each individual contains at the center of their lives the same narrative structure as the entire contents of the Bible as told from the Creation of the World in Genesis to its Destruction by Fire in Apocalypse. But we all know instinctively that we don't all lead the exact same lives - the specific contexts of our individual lives pan out differently for each of us. And yet it is undeniably an aspect of Christian teaching that Christ, the Omniscient Logos, resides in each of our hearts. This is to say that over the course of one's life one experiences the same story as that told in the Life of Christ, since He, the universal blueprint, constitutes the center around which each of our lives revolves. The exact details of the way in which this story unfolds for each of us is different. The narrative is the same. This is only possible because the narrative itself does not actually occur within the confines of space and time. The narrative of Jesus Christ is an ideal allegorical representation of what it is to be human, to have the spirit wedded to the tabernacle of the body, for whom the spirit seems to suffer and undergo death out of love.
This further suggests that the Logos is not only the means by which a transcendant God manipulates the universe from afar, but is the tool or hand by which God directly interacts and lives in the world. Through the dense material of the body God's narrative plays out in space and time in an endless circle in as many different forms as He sees fit. No matter what corruption ever befalls the Son through death the original Godhead remains pure and unadulterated. The Source of Life is never tainted no matter what grossness may affect Him through interaction with matter. Knowing this we can affirm that in Christ we are One Body and One Blood; that we are all spotless at heart, and no torment may ever change or affect who we really are; and that God so loved the world that he sent His only Begotten One to redeem it from darkness. Matter in and of itself is useless. It is only through invigoration through the spirit of life that it becomes something of value. But the selfless contribution of Life to matter in order to endow that matter with Consciousness inevitably condemns that Life energy to die and seemingly change. But after the Passion Christ rises again and remains untainted. In dying Christ opens the gates of paradise; in opting for death the spirit blows open the doors of the earthly hell and brings down the fires of the ideal paradise. In Christ we know there is no east nor west, and in Christ we may therefore also say that Heaven and Hell are allowed to coexist to some extent. In Him and through His Death the great possibilities of the ideal world as represented by the Logos are allowed to be brought forth into the darkness of the material world.
Saturday, June 23, 2012
John the Baptist and The Chariot
The Chariot is associated with the Holy Grail, the womb of life, the cup of the Goddess, in which is poured blood. In Christian symbolism blood and water are synonymous, which is particularly interesting given Cancer's watery nature.
The transition into Cancer on the 21st, coinciding with the Summer Solstice, represents the pinnacle of the sun's strength throughout the solar year. The solstice is the longest day of the year and all subsequent days steadily shorten. On this day the sun is at the height of its power, and in the scheme of the solar year, is when it seems most indestructible. This is a theme carried out in the Roman celebration of Sol Invictus, though this holiday was celebrated around the time of Christmas (around December 24th when the sun seems to "regenerate" after its steady decline in force through the fall).
Perhaps what remains mysterious is why the Church decided to place John the Baptist's Nativity a the same time as the transition into Cancer and the Summer Solstice. Perhaps it has to do with the fact that John himself "was not the light, but came to testify to the light." Because of this we can see his connection to Cancer (being watery), and a more general connection to the sun (as Cancer is not ruled or associated with the sun directly in any way). Therefore John's association is more aquatic than solar. In some ways we can see John as the Cup Bearer, he who bears the Grail filled with the Blood, which is solar, which is synonymous with Christ. Perhaps we can even vaguely associate John with a form of Binah, the Goddess. Indeed, John the Baptist is often depicted as an effeminate youth in Renaissance art. John conveyed the solar redemptive message, but was not the essence of redemption itself.
Let us also take note of The Chariot's associations with paths and directions. Being the bridge between Binah, the Mother of Form, and Geburah, the Power of God, The Chariot represents the form of power, or rather form being empowered. Really the distinction is irrelevant. Regardless, the energy of Geburah is given form through the Understanding the Soul is capable of. Enlightened by Wisdom, the Understanding first begets Mercy, whose main operation is to generate, but so that all things may be balanced Understanding also begets Power, whose primary function is to energize and destroy. The Chariot therefore destroys all other paths but the One True Path, which is True Will, which is Destiny, which is the cornerstone of personal Salvation, which is the Holy Guardian Angel, which is Christ.
Remember, too, that John the Baptist is always associated with the prophecy of Isaiah that says, "The voice of him that crieth in the wilderness, 'Prepare, ye, the way of the Lord. Make straight in the desert a highway for our God.'" John prepared the way, clearing it for the future sowing and reaping represented in Christ's Life, Death, and Resurrection. John made the path straight, much like the path of the Chariot. In other words, the Chariot represents a direct route for energy to take. It teaches us that the most potent energy, the most triumphant energy, is that which is grounded to only one direction and purpose. Ultimately that purpose must be solar in nature (and therefore connected to Light, Life, Love, and Liberty), must be geared towards Self, and must therefore be self-redeeming. Baptism, as we know, destroys original sin. It washes away our transgression and wipes us clean. Clearly this is a reference to Geburah's destructive and cleansing quality. Sin is the condition of life in which the consciousness is swept side to side by distractions, impulses, and desires. It is the condition of multiplicity, of disorder, and disobedience. It is to have no power over the world because one does not have power over oneself. The only recourse is purification through destruction. Through metaphysical baptism (which the ritual and sacrament of Baptism reflects), one may transcend to the victorious state of the Chariot. This is a state of being in which one becomes a vessel, a conduit for the Living God, and follows His precepts. And to follow His commandment is to Love Him, and truly "there is nothing that can unite the divided but love." The Chariot therefore also represents a condition of intense love in which the individual is lost in the mystery of the Eternal Self, which is the God of the personal Universe - the architect of one's experience over the Aeons. "There are love and love. There is the Dove and the Serpent Choose ye well!" Love, we must remember, must eradicate differentiation. In The Chariot, one is so knit to the Path of God by the power of love that one becomes as the prophets Elijah and Enoch, and "goes to walk with God." To do so is to never be known again and is akin to Nirvana.
This condition is thus a state of grace and perfection - remember that the Chariot's number is 418, ABRAHADABRA, the cipher of the Great Work, and the word that opens all doors. When one delves deeper, one also draws the connection between ABRAHADABRA and Harpocrates, the god of Silence, the Babe in the Egg of Blue, whose Silence is the secret key to all locks, whose amorphous essence is the answer to all mysteries. Being associated with Kether, Harpocrates is also the Spirit.
Everything connects. Baptism through water, which is blood, leads to grace, which is victory over the world and the self (an interior version of the exterior projected world); the path of grace leads to baptism in the Spirit, which is Salvation. Salvation is love of the Eternal Self to such a degree that one commits to following the path laid out by the Eternal Self in all things. Their path becomes straight, though surrounded on all sides by the desert.
Sunday, June 10, 2012
The Erotic Art of Living
Oscar Wilde once said, "Everything in the world is about sex except sex. Sex is about power." There is such overwhelming truth to this statement; its validity is experienced everywhere. Sexuality is the foundation of many of our drives and motivations, and our media culture is inundated with it to the point where it is impossible to escape it. Perhaps we grieve the loss of "childhood innocence" because it represents a time when the sexual impulse doesn't exist (though Freud of course would argue against that), and all the emotional problems that arise from it likewise don't exist. We can all agree that sexuality is complicated for everyone, and that it in turn complicates everything it comes in contact with. It certainly adds a complexity to our relationships with others either for good or ill. The desire that becomes inflamed in us for another person can become consuming, distorting, or enrapturing. But we must remember that the absolute basis for sexuality is undeniably the biological need to procreate. Sex in general has become so cheapened by sentimentalization and capitalism that it has become almost ugly.
The esoteric Kabbalists and Hermeticists tell us that the sephira of Yesod is associated with the genitals, animal instinct, and procreation. It is also "the moon on a lower arc," as of course Luna in her highest aspect is represented by the path of Gimel descending from the Highest of Kether to the Son of Tiphareth. The Platonists developed the concept of a geocentric universe in which the planets occupy "spheres," or ring-like metaphysical territories that surround their path of orbit around the earth. The order of the planetary spheres in emanation outward from the earth was Luna, Mercury, Venus, Sol, Mars, Jupiter, Saturn, and something called the Primum Mobile - the "first mover." I hope you will notice that the order of the Platonic spheres is perfectly in line with the order of the Kabbalistic Sephiroth, where following Malkuth/Earth, we have Yesod/Luna, Hod/Mercury, Netzach/Venus, Tiphareth/Sol, Geburah/Mars, Chesed/Jupiter, Binah/Saturn, Chokhmah/Fixed Stars, and Kether/Primum Mobile.
In Classical thought, the sphere of the moon was considered the source of fate, that which cruelly ties man to the earth, forces him to labor and die. The goal of all budding mystery cults at the turn of the first century was essentially apotheosis (the process by which man becomes a god), or something much akin to it. The deities worshipped by mystery cults were thought to occupy certain planetary spheres, it was believed that if one offered supplication to them throughout life that deity would then redeem the spirit of the individual after death. Prior to this period, Greco-Romans didn't have much of a conceptualization of the afterlife. One simply became a shade, neither enjoying any benefits nor suffering any punishments. With the development of a Western concept of an afterlife and the popularization of Plato's ideas regarding the soul and spirit of man, people became more concerned with the condition of these metaphysical substances, and thus redeeming gods such as Christ, Dionysus, or Mithras became more prominent. Religion became focused on saving man from his fatalistic attachment to materiality and corporeality that was the result of living under the sway of the ever-changing moon. The alternative was remaining in a cycle of reincarnation, as the heaviness of the spirit, weighed down by attachment, would inevitably be drawn into another body.
All Savior gods are represented by the Son in Tiphareth, which is also Sol and directly above Yesod, Luna, on the Middle Pillar. Compared to Yesod, which is a sephira of illusion and deception, Tiphareth is truth and reality as it is truly meant to be seen. Still drawing from Plato, Tiphareth is the true sun in his famous cave allegory. We see the light of Yesod, the moon, and believe it to be the only source of light, the only ever-changing reality. But the truth of reality lies in Tiphareth, the sun which is the original source of the lunar light. Tiphareth is eternal, balanced, and the change it represents is more benign. For truly there is nothing on the Sephiroth that does not move or change in some capacity. This is the change and evolution of the spirit throughout all lifetimes, whereas Yesod is the evolution of the body, being associated also with vegetable growth. Put simply, Tiphareth is the light of Reason, which endows all existence with purpose and destiny.
When we synthesize all of these seemingly disparate ideas, we come to the perhaps startling realization that basis of salvation is, as St. Hildegard von Bingen always said, Virginity and Chastity. And yet not. For salvation always comes at the price of death; the solar divinity must give of his body and blood, his life force, in order to redeem the fallen. What better represents the life force itself than the sexual drive? The innate biological impetus to create life in one's own image? The artists of the Renaissance (literary, visual, and musical) all equated the orgasm with death, and for good reason. Death is the orgasmic release of life energy from the body, which allows it to transmute itself and assume a new form for the next life. The energy sublimates and attempts to rise above the planetary influences, so to speak. If it cannot do so it is eventually dragged down by its material attachments and is reinstated in material existence.
It is our obsession with base sexuality that leaves us under the sway of Luna and Yesod, ignorant and blind to any greater self-purpose than procreation. We may have some inkling of knowledge about our purpose since the Redeemer lives within us and organizes our universe so that we might know Him. But as St. Paul wrote, we do indeed see Him through a glass darkly until we meet face to face. Our lives remain a seemingly cluttered and confusing cluster of symbols, signs, and mysteries.
Therefore, the Truth and Reason of Tiphareth is the personal "Why" veiled behind our sexual impulse. It is the Divine Mandate that motivates man to create himself through his own hands and works. Every act is a magickal act, a sexual act, in which one brings into manifestation not a copy of their biological self, but their own divine self. Salvation is the recognition of Identity and Destiny, which are synonymous, and the simultaneous harnessing of that Wisdom to create discriminately with purpose. The result is clean, without attachment or obligation to anyone other than one's own self. It is content to operate on its own accord, and it cannot be manipulated by anyone other than yourself. It is the origin of free will, the eternal "yes," the keys to the Kingdom of Heaven, and, being erotic in essence, is the essence of pure health and happiness. The spiritual Marriage is the wedding of the procreative passions with self knowledge. To offer oneself as a Virgin to God is to declare oneself chaste to all things that are not of the True Self. It is the adherence and dedication to the reason behind individual destiny. It is to realize and be aware that you are as a field constantly being plowed by the hands of God. To allow yourself to falter and deviate because of the passions and the biological need to procreate is to take the more difficult road.
This is not to say that sexuality is lacking in morality, for one can remain a Vestal Virgin despite whatever sexual encounters one may have. And it is true that the sexual impulse is holy. To close it up within the body is as much a sin as giving it out indiscriminately. We were made to love and to give that love; apotheosis is to give the world one's unique creative essence constantly, without ceasing, with purpose, direction, and integrity. It is to transform life into art.
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| The Platonic Spheres |
In Classical thought, the sphere of the moon was considered the source of fate, that which cruelly ties man to the earth, forces him to labor and die. The goal of all budding mystery cults at the turn of the first century was essentially apotheosis (the process by which man becomes a god), or something much akin to it. The deities worshipped by mystery cults were thought to occupy certain planetary spheres, it was believed that if one offered supplication to them throughout life that deity would then redeem the spirit of the individual after death. Prior to this period, Greco-Romans didn't have much of a conceptualization of the afterlife. One simply became a shade, neither enjoying any benefits nor suffering any punishments. With the development of a Western concept of an afterlife and the popularization of Plato's ideas regarding the soul and spirit of man, people became more concerned with the condition of these metaphysical substances, and thus redeeming gods such as Christ, Dionysus, or Mithras became more prominent. Religion became focused on saving man from his fatalistic attachment to materiality and corporeality that was the result of living under the sway of the ever-changing moon. The alternative was remaining in a cycle of reincarnation, as the heaviness of the spirit, weighed down by attachment, would inevitably be drawn into another body.
All Savior gods are represented by the Son in Tiphareth, which is also Sol and directly above Yesod, Luna, on the Middle Pillar. Compared to Yesod, which is a sephira of illusion and deception, Tiphareth is truth and reality as it is truly meant to be seen. Still drawing from Plato, Tiphareth is the true sun in his famous cave allegory. We see the light of Yesod, the moon, and believe it to be the only source of light, the only ever-changing reality. But the truth of reality lies in Tiphareth, the sun which is the original source of the lunar light. Tiphareth is eternal, balanced, and the change it represents is more benign. For truly there is nothing on the Sephiroth that does not move or change in some capacity. This is the change and evolution of the spirit throughout all lifetimes, whereas Yesod is the evolution of the body, being associated also with vegetable growth. Put simply, Tiphareth is the light of Reason, which endows all existence with purpose and destiny.
When we synthesize all of these seemingly disparate ideas, we come to the perhaps startling realization that basis of salvation is, as St. Hildegard von Bingen always said, Virginity and Chastity. And yet not. For salvation always comes at the price of death; the solar divinity must give of his body and blood, his life force, in order to redeem the fallen. What better represents the life force itself than the sexual drive? The innate biological impetus to create life in one's own image? The artists of the Renaissance (literary, visual, and musical) all equated the orgasm with death, and for good reason. Death is the orgasmic release of life energy from the body, which allows it to transmute itself and assume a new form for the next life. The energy sublimates and attempts to rise above the planetary influences, so to speak. If it cannot do so it is eventually dragged down by its material attachments and is reinstated in material existence.
It is our obsession with base sexuality that leaves us under the sway of Luna and Yesod, ignorant and blind to any greater self-purpose than procreation. We may have some inkling of knowledge about our purpose since the Redeemer lives within us and organizes our universe so that we might know Him. But as St. Paul wrote, we do indeed see Him through a glass darkly until we meet face to face. Our lives remain a seemingly cluttered and confusing cluster of symbols, signs, and mysteries.
 |
| From Hildegard's Ordo Virtutum. The soul being tempted by carnal sin. |
This is not to say that sexuality is lacking in morality, for one can remain a Vestal Virgin despite whatever sexual encounters one may have. And it is true that the sexual impulse is holy. To close it up within the body is as much a sin as giving it out indiscriminately. We were made to love and to give that love; apotheosis is to give the world one's unique creative essence constantly, without ceasing, with purpose, direction, and integrity. It is to transform life into art.
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